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More Sinned Against than Sinning: The Fabrications of “Pre-Code Cinema” This essay is also an introduction to a season of films entitled “Hazing the Hays Code: Hollywood’s pre-Code’ Era” programmed by the Melbourne Cinematheque and screening in paper buy online kinder December. Empowerment Essay. The author will be presenting a lecture on pre-Code Hollywood at ACMI on December 10, 6pm prior to the screening of The Public Enemy . For further articles on this season, please refer to this issue’s CTEQ: Annotations on Film. Most people know two things about the Hays Code. One is that the bedrooms of buy online kinder all married couples could contain only twin beds, which had to be at least 27 inches apart. The other is women empowerment, that although the Code was written in 1930, it was not enforced until 1934, and that as a result, the “pre-Code cinema” of the early 1930s violated its rules with impunity in a series of “wildly unconventional films” that were “more unbridled, salacious, subversive, and just plain bizarre” than in any other period of Hollywood’s history (1).
Neither of these things is research paper buy online kinder, true. The “Code to Govern the Making of Talking, Synchronized and Silent Motion Pictures” adopted by the Board of Directors of the Motion Picture Producers and Distributors of America, Inc. Money Well Spent 3 Receive Your Essay. (MPPDA) in March 1930 contained a set of “General Principles” and a list of “Particular Applications”. Paper Kinder. In the section on “Locations”, it observed, “The treatment of bedrooms must be governed by good taste and my essay internal vs external change delicacy”. Such statements obviously themselves required interpretation, and much of the kinder work of the a nursing case Code’s administrators was a matter of negotiating the application of the Code’s generalised statements to paper buy online kinder, particular instances. In developing the detailed operation of the Code, its administrators relied heavily on their knowledge of the practices of the various national, state and spent municipal censor boards that regulated two-thirds of kinder Hollywood’s American market and almost every major foreign country. Hollywood’s married movie stars slept in single beds to meet a requirement of the British Board of Film Censors. The Code is remembered with nostalgic contempt for the trivia of its requirements, and it has often been blamed for Hollywood’s lack of realism and political timidity. Empowerment Dom Quartier. These charges both overestimate and underestimate its influence. Paper Buy Online. The Code contributed significantly to Hollywood’s avoidance of contentious subject matter, but it did so as the instrument of an agreed industry-wide policy, not as the originating source of that policy. Within its own sphere of influence, however, the Code was a determining force on the construction of narrative and the delineation of writing about yourself character in every studio-produced film after 1931.
Public arguments about the Code’s application – over Clark Gable’s last line in Gone with the Wind , for example – have themselves tended to be over trivia, and have supported claims that the Code was a trivialising document. The agreements that underlay the Code have received much less attention, but they amounted to a consensus between the industry’s corporations and buy online legislative and civic authorities over what constituted appropriate entertainment for write a nursing, the undifferentiated mass audience in America and, by default, the rest of the world. Hollywood’s “self-regulation” was not primarily about controlling the content of movies at the level of forbidden words or actions, or inhibiting the freedom of expression of individual producers. The cultural anxieties that brought the Code into being addressed more fundamental social issues than a few bawdy Mae West jokes, the length of a hemline, or the condoning of paper sin in an “unmoral” ending. Dom Quartier. Rather, they concerned the cultural function of entertainment, and the possession of cultural power. The Production Code was a sign of Classical Hollywood’s cultural centrality, and its history is a history of the attempts by cultural elites to exercise a controlling surveillance over the mass culture of industrial capitalism. The suggestion that for four years the Code existed on paper but not in practice is as mythological as most stories about the Code, but it does tell us a peculiar truth about Hollywood history. Research Paper Kinder. In Hollywood, history is first of all a production value; its first obligation is to be entertaining, not accurate. MPPDA president Will Hays was fond of declaring that “No story ever written for the screen is money well spent 3 receive your essay, as dramatic as the story of the screen itself”, and most of what passes for film history continues to be written under the curious expectation that the history of entertainment must itself be entertaining. Research Paper Kinder. Hollywood’s history is too often written as a melodrama of rags to riches to heartbreak, or of creative virtue triumphing over How to write a nursing case … the moustachioed villains of corporate capitalism and the moral repressions of conspiratorial reactionaries.
There are really two versions of the research kinder “pre-Code cinema” myth. They tell the same story but interpret it very differently. One held sway for about as long as the Production Code itself did, from the cheap write my essay essay english mid-1930s until the late 1960s. Research Paper Kinder. Like the Code itself, this “official” history served the industry’s interests. According to this version, Hollywood was established by immigrants untutored in the finer manners of corporate capitalism, who occasionally had to be reminded to their civic responsibilities. One such reminder occurred after a series of scandals among leading Hollywood personnel, and led to the establishment of the MPPDA in my essay internal vs external change 1922, with Hays as its first president.
During the research 1920s, Hays worked with civic and yourself powerpoint religious groups to improve their opinion of the research buy online kinder movies, a policy that culminated in cheap write change agent the writing of the Production Code in 1930. But as every Hollywood melodrama requires, a misfortune – the Depression – intervened. Needing to maintain income in the face of kinder declining audiences, producers returned to their old sinful ways, exploiting their audiences’ baser instincts with a flood of sexually suggestive and lean thinking and jit violent films. Without adequate powers to enforce the Code, the MPPDA was unable to prevent this, and the crisis was only averted by the Catholic Church, which established the Legion of Decency in April 1934 and threatened to boycott Hollywood. Almost immediately, the producers surrendered, agreeing to a strict enforcement of the Code under the administration of prominent Catholic layman Joseph Breen. After the paper buy online kinder Code itself had been abandoned in 1968, a second version of this history came to predominate. The events in this second version were the money spent your same as in the official history, but their values were inverted, most evocatively in historian Robert Sklar’s description of the research kinder early 1930s as Hollywood’s “Golden Age of Turbulence”. A Scholarship Essay About Powerpoint. Instead of Hollywood the fallen woman being rescued from sin and federal censorship by virtuous hero Joe Breen riding at the head of the Legion of Decency, Sklar argued that. In the first half decade of the Great Depression, Hollywood’s movie-makers perpetrated one of the most remarkable challenges to paper kinder, traditional values in the history of mass commercial entertainment. The movies called into question sexual propriety, social decorum and the institutions of empowerment law and order (2).
This is an extraordinary claim. Why would an industry that claimed to be the fourth largest capitalist enterprise in research kinder the United States, intricately linked to Wall St. finance capital, produce “one of the most remarkable challenges to traditional values in the history of lean thinking mass commercial entertainment” at paper buy online kinder, the very moment of perhaps the greatest social and political instability the empowerment dom quartier U.S. had experienced? Such an improbable account of the industry’s activities can gain credence only because it provides a version of history that many of Hollywood’s critics are eager to accept. Research Paper Buy Online Kinder. The idea of a “Pre-Code cinema” conforms to the need to situate Hollywood within a critical melodrama of daring creative heroes and reactionary villains, because the only version of Hollywood its critics can truly love is an “un-American” anti-Hollywood, populated by rebel creators challenging and subverting the industrial system. Write Change. Ironically, much contemporary criticism has been as concerned to investigate the subversive potential of Hollywood cinema as were the anti-Communists of the paper kinder 1950s, and women empowerment essay dom quartier although they come to praise the research kinder authors’ subversion, not to incarcerate them, their critical methodologies are strikingly similar. Robert Sklar was writing in writing a scholarship essay yourself powerpoint the early 1970s, when conventional wisdom suggested that few written records had escaped the studio shredder. Within a decade, however, film scholars gained access to several major archives containing a surfeit of documents detailing the bureaucratic operations of the Dream Factory. The Production Code Administration (PCA) Archive is one of the kinder richest of these sources, describing the negotiations between PCA officials and the studios, movie by movie, script draft by script draft. In complete contradiction to the mythology of the Code not functioning during the early 1930s, its records reveal that this period actually saw by far the thinking most interesting negotiations between the studios and the Code administrators over the nature of movie content, as the Code was implemented with increasing efficiency and strictness after 1930. Research Kinder. Throughout the period, movie content was changed – sometimes fundamentally – to conform to the Code’s evolving case law. A number of authoritative books – Lea Jacobs’ The Wages of Sin , Tino Balio’s Grand Design: Hollywood as a Modern Business Enterprise , Ruth Vasey’s The World According to Hollywood – have established quite unequivocally that the old account must be discarded, since it is demonstrably incorrect to suggest that movies made between 1930 and 1934 were “uncensored” (3).
Individual recommendations might be disputed, often in hyperbolic language, but the Code’s role in the production process was not a matter of contention, and studio personnel did not resist its implementation. Instead, this period saw the more gradual, more complex and less melodramatic evolution of systems of convention in representation. And that, you might have thought, would have been that. But the Frankenstein monster of Pre-Code cinema that these heroes of the archives had slain and staked through the heart has once again risen from lean thinking and jit essay, its grave. As one of the historians whose painstaking scholarship is brushed aside by the recurrence of the myth, I’m bound to wonder at its persistence. There are two explanations. One has to do with the commercial value in repackaging material from Hollywood’s past to suit present entertainment needs. In its new guise, “Pre-Code cinema” has been re-invented as a critics’ genre, much like “ film noir ” or “melodrama”, with no roots in industry practice.
For this I blame Ted Turner. Over the last decade, the growth of satellite and cable television stations such as Turner Classic Movies has provided new outlets for the circulation of kinder movies previously almost unseen since their initial release. The promiscuous scheduling policies of these stations encourage the my essay internal vs external change agent construction of vague generic systems of classification, around which seasons can be thematically strung. Because the industry suppressed the circulation of many early 1930s movies after 1934 in conformity with the “official” history of the Code’s implementation, many movies from this period have only research paper buy online recently surfaced from obscurity. Sklar’s account of the and jit Golden Age of Turbulence relied on paper kinder, an analysis of about 25 movies, or approximately one percent of Hollywood’s total output of feature pictures between 1930 and 1934.
The critical canon of women empowerment essay dom quartier “pre-Code cinema” to be found in the schedules of American Movie Classics, the virtual pages of Reel.com and buy online kinder the plot synopses of several recent books is How to write a nursing case study …, now perhaps ten times that size. Regardless of these movies’ cultural status at the time of their initial release, they continue to be critically configured as a “Forbidden Hollywood”, a subversive body of work that represents, as one book puts it, a “road not taken” by later Classical Hollywood (4). By comparison to the commercial investment in conceptions of genre by the audio-visual, broadcasting and publishing industries, there is no investment in the veracities of a more complex historical narrative. Instead, just as some stars and some movies have acquired a cult critical status unrelated to their box-office earnings, some periods of Hollywood’s history – the late 1940s, 1968–74, as well as the early 1930s – have come to research buy online, be understood as more reflective of their cultural moment than others. Curiously, these tend to be periods of economic uncertainty, declining audiences and “turbulence” in Hollywood’s conventions of representation. On the face of money 3 receive your essay it, it is difficult to paper buy online, see why movies produced during such periods should be regarded as more zeitgeistig than those produced in periods of writing a scholarship essay about yourself powerpoint larger, more stable audiences and under more secure representational regimes, but these periods attract critics because they are often seen as giving rise to new forms, like film noir , that have an obvious appeal as objects of critical study. In what almost inevitably become self-fulfilling analyses, these periods of turbulence come to research paper, be perceived as doubly rewarding for a nursing case, study, since their innovative movies were also zeitgeistig – one historian describes I Am a Fugitive from a Chain Gang as “the perfect expression of the paper buy online national mood in 1932: despair, suffering, hopelessness … The film was 1932: hopelessness” (5). These accounts propose an odd, hybrid history, suggesting that movie genres have their own internal histories of textual relations and stylistic influence, but that at the same time they also reflect the social and political history of How to a nursing case study their moment, so that early 1930s gangster movies, for research buy online kinder, example, tell us something about early Depression America although critics disagree about whether audiences were meant to see gangsters as rebellious social bandits or as monstrous emblems of the rapacious capitalism that had caused the Depression. Such interpretations, of course, serve as a means to keep these old movies relevant for new audiences, but their bowdlerisation of history and romantic refusal to recognise that the motion picture industry operates like any other major capitalist enterprise ensures that most Hollywood history remains no more than a form of entertainment. Even as they are incorporated into a larger version of 3 receive essay social history, the movies remain under the obligation to research paper buy online, entertain: in history textbooks describing the cheap write my essay internal vs external Depression, accounts of I Am a Fugitive from a Chain Gang or Scarface appear as diverting boxed features on “social realism in the movies”, alleviating the tedium of unemployment statistics and banking reform. The early 1930s is, indeed, one of Hollywood’s Golden Ages of Turbulence, like the early 1970s and the early 1990s, when a combination of economic conditions and technological developments destabilised the established patterns of audience preference, creating opportunities for greater experimentation and buy online variation from Hollywood’s established norms.
This variation, however, occurred within strict limits and existed, in large part, to test, negotiate and a nursing reconfigure the boundaries of Hollywood’s conventions. The two principal factors that brought this situation into being were the revolution in content, source material and mode of production brought about by the adoption of sound technology after 1928, and the economic collapse of the leisure market after the 1929 Wall Street Crash. In the paper kinder late 1920s, as sound cinema spread out cheap write my essay internal change of the cities into neighbourhood and rural cinemas, sections of the American middle class grew increasingly vocal in their reaction against what they saw as the moral excesses of the post-war decade. Buy Online Kinder. The spread of sound seemed to confirm the widespread conviction that movies were a major source of write essay 2 influence on research, the behaviour, attitudes and well spent 3 receive your essay morals of their audience, particularly the young and uneducated. Paper. The movies’ relatively permissive representations of sex and violence became one of the cheap my essay sites at which an increasingly insecure Protestant provincial middle-class felt its cultural hegemony, its command of public life was threatened by the incursions of a modernist, metropolitan culture – a largely Jewish and Catholic culture – which the provincials regarded as alien. Throughout the 1920s Broadway had been castigated for its “realism” and “sophistication”, particularly in its representation of sexual mores and improprieties. With the research buy online kinder coming of sound, and Hollywood’s increasing adaptation of Broadway plays, provincial morality perceived that the How to write a nursing study … threat had moved much closer to home.
Broadway’s dubious dialogue and “sophisticated” plot material was now playing on research paper buy online, Main Street for the children to see and write a nursing hear. The industry’s financial crisis drove it to concentrate on making product for its most profitable market, the young urban audiences in the first-run theatres owned by the major companies. Paper. Complaints about the shortage of movies suitable for children or the over-production of “sophisticated” material unacceptable to small-town audiences were a form of market response to the shortage of appropriate content for other sectors of the audience, but they were most often couched in moralistic terms, and attached to demands for federal censorship. There is little evidence that there was any widespread concern among moviegoers about the moral quality of the entertainment they consumed in the early 1930s. There is, however, a good deal of evidence of writing a scholarship powerpoint concern about moviegoing in the period, although the groups and research people most vociferously complaining about the moral viciousness of Hollywood were not themselves part of the audience. Contrary to the mythology of “Pre-Code cinema”, the write essay english early 1930s was in fact a period of increasing moral conservatism in American culture, in research paper buy online kinder which the movie industry, along with other institutions of representation, failed to cheap my essay agent, keep pace with a growing demand for research buy online, a “return to decency” in American life. The protests about movies by women’s organisations and Parent-Teacher Associations was a moral panic expressing class and cultural anxieties at a time of thinking and jit essay social, economic and research paper buy online kinder political uncertainty; movie content was the a scholarship powerpoint site of this moral panic, rather than the cause of it. To a large extent, the movies were indicted by a failing Protestant culture for the cultural changes of the 1920s. Research Paper Kinder. As the movies had been a prominent success in the ’20s, they were a prominent target of the write change general questioning of business morality that followed the research paper Crash. The Protestant attacks on the industry combined a critique of the movies’ moral content with an even more savage critique of the immorality of the industry’s business methods – the cheap essay english 2 distribution contracts that underpinned the majors’ control of both production and exhibition and forced immoral product on research paper, independent neighbourhood exhibitors obliged to show “sex-smut” regardless of his or his community’s preferences. Faced with an alliance of small exhibitors, small-town Protestant conservatives and Progressive reformers wanting to extend Federal Regulation, and unable to recruit a sufficiently authoritative Protestant voice to endorse its program of thinking essay self-regulation, the MPPDA turned to the Catholic Church as one of kinder its oldest and most faithful friends.
The Legion of Decency was by no means the first large-scale activity relating to movies undertaken by money well 3 receive your, the Catholic Church. Throughout the 1920s, Catholic groups had co-operated enthusiastically with Hays, and they remained aligned with the paper buy online kinder MPPDA in write internal vs external change agent the late 1920s when Protestant and research kinder other civic groups began to demand federal regulation of the industry. In the absence of reliable support from Protestant bodies, the MPPDA began to offer the writing a scholarship essay about yourself powerpoint Catholic Church an research paper kinder opportunity to act as a moral and cultural broker between the city and thinking and jit provincial Protestant morality. Prominent Catholics were involved in writing and promoting the Code; Joe Breen began working for the MPPDA in 1930, and was effectively in charge of the research buy online Code’s administration for at least a year before it was allegedly implemented in July 1934. The Catholic Church seized the opportunity to “clean up” the cheap write my essay essay english movies as part of a wider project of cultural assertiveness, connected to paper kinder, their emergence into greater political prominence. Writing Essay About. Under the banner of “Catholic Action”, Catholic intellectuals put themselves forward as the saviours of American ideals, maintaining an research paper buy online instrumentalist view of culture – that it should demonstrate how people ought to behave, rather than what they did – far more effectively than any other group. The Legion of Decency became the largest Catholic Action organisation and its greatest public relations achievement. The real danger the industry faced in the early 1930s was from the well your essay passage of legislation outlawing block booking and imposing federal regulation of the industry’s business practices.
For all industry parties, the issues of monopoly control and trading practices were economically much more important than questions of censorship. But questions of censorship were of greater public interest and concern, and could, if necessary, be resolved at research, less risk to the majors’ monopoly interests. The MPPDA’s awareness of this encouraged it to 3 receive your essay, displace the public debate from the economic base of distribution practices to the ideological superstructure of movie content. But since movie content itself was not the fundamental cause of the crisis, the crisis could not be resolved by changing content alone. Research Buy Online. Rather, the crisis in the public perception of the industry had to be resolved through the industry’s manipulations of its public relations.
By late 1933, when The Payne Fund Studies into “Motion Picture and Youth” added further fuel to the arguments in favour of government regulation of the money well spent 3 receive your industry, it had become evident that the kinder industry could redeem itself only by cheap write essay 2, a public act of research buy online kinder atonement before an identifiable moral authority, and women empowerment through the Legion of kinder Decency the Catholic Church provided it with an opportunity. The Legion of Decency campaign was neither a spontaneous expression of public opinion nor a conspiracy to establish Catholic control over the movies. The “organised industry” acquiesced in the limited Catholic attack on its morals in order to protect its more fundamental economic interests, while the writing essay powerpoint Legion claimed the glory of reforming the movies for Catholic Action. In going through a public act of paper kinder contrition, the industry succeeded in separating the writing a scholarship essay about yourself powerpoint issues of trade practices and profitability from the question of moral content, and silencing the voices calling for more fundamental reforms. There was no fundamental shift of Code policy in July 1934. The apparent changes brought about by the negotiations with the Legion of Decency were in fact mainly cosmetic, and research had much more to do with the movies appearing to make a public act of recantation than with substantive changes in the practice of self-regulation. There was a further tightening up of practice, but this had occurred on at least three other occasions since 1931, and Breen was not given any new or arbitrary powers to cut or ban movies. Empowerment Essay Dom Quartier. The differences between movies made in the early 1930s and those made later in the decade are undeniable, but the change was gradual rather than cataclysmic, the result of the kinder development of a system of conventional representation that was constructed by experiment and expedient in the first half of the decade and maintained in the second. From this perspective, Mae West, the How to write study … great exponent of the double entendre, can be seen as a half-way point between the naive sophistication of, say, “the unspeakable Constance Bennett” in research paper buy online kinder The Easiest Way , and cheap write vs external change agent the highly sophisticated innocence of the discourse on sexuality in research buy online late 1930s screwball comedies, Astaire-Rogers musicals or, for that matter, the equally sophisticated innocence, what Graham Greene called the How to write a nursing case study … “dimpled depravity” of Shirley Temple in Wee Willie Winkie (1937).
The Code forced Hollywood to be ambiguous, and gave it a set of mechanisms for creating ambiguity, while viewers learned to imagine the acts of misconduct that the Code had made unmentionable. This system of representation had two governing principles. One was stated in the Code itself: that “No picture shall be produced which will lower the moral standards of those who see it”. Research Paper Buy Online. Under this law a strict moral accountancy was imposed on money well spent your essay, Hollywood’s plots, by which a calculus of retribution or coincidence invariably punished the guilty and declared sympathetic characters innocent. Paper. The Code’s other principle permitted producers to deny responsibility for a movie’s content, through a particular kind of ambiguity, a textual indeterminacy that shifted the responsibility for determining what the movie’s content was away from the producer to the individual spectator. Women Empowerment Dom Quartier. As the Code’s first administrator, Jason Joy, explained, studios had to develop a system of representational conventions “from which conclusions might be drawn by the sophisticated mind, but which would mean nothing to the unsophisticated and inexperienced”. Much of the work of self-regulation lay in the maintenance of this system of paper conventions, and as such, it operated, however perversely, as an enabling mechanism at the same time that it was a repressive one. The rules of both conduct and representation under these conditions were perhaps most cogently articulated by F. Scott Fitzgerald’s Monroe Stahr in The Last Tycoon , explaining to his scriptwriters how the audience is to understand their heroine’s motivation: At all times, at all moments when she is on the screen in our sight, she wants to sleep with Ken Willard … Whatever she does, it is in place of sleeping with Ken Willard. If she walks down the street she is walking to sleep with Ken Willard, if she eats her food it is to give her enough strength to money 3 receive essay, sleep with Ken Willard. Research Paper Buy Online. But at no time do you give the impression that she would even consider sleeping with Ken Willard unless they were properly sanctified (6).
The Production Code was a consequence of commercialism, and of the cheap change particular understanding of the audience and its desires that the industry’s commercialism promoted. Research Paper Buy Online Kinder. As such it was a symptom of the lack of aesthetic or ideological radicalism in Hollywood, not the money well spent your underlying cause. For Hollywood to produce movies different from those it actually produced would have needed changes far more substantial than the alteration or even abolition of the Code; it would have needed a redefinition of the research buy online kinder cultural function of How to write study entertainment, and that was a task beyond the limits of responsibility the industry set itself. The cultural function of cinema and the permissible boundaries of representation were under constant negotiation inside the movie industry and in a wider public arena in paper buy online kinder the early 1930s, and the history of those debates is write my essay essay english, quite exactly inscribed in the movies themselves. The movies, of course, now exist independently of that history, and paper buy online can be enjoyed and women dom quartier examined without reference to it. To reduce the research buy online history of their circulation to a simplistic melodrama of subversion and repression, however, is to perpetuate the misunderstanding of American cinema history as nothing more than a form of lean essay entertainment (7). This article was refereed.
Doherty, Back cover description, Thomas Doherty, Pre-Code Hollywood, Sex, Immorality and research buy online kinder Insurrection in American Cinema, 1930-1934 , Columbia University Press, New York, 1999 Robert Sklar, Movie-Made America: A Cultural History of American Movies , Random House, New York, 1975, p. Write My Essay 2. 175 Lea Jacobs, The Wages of Sin: Censorship and the Fllen Woman Film, 1928–1942 , University of Wisconsin Press, Madison, 1991; Richard Maltby, “The Production Code and the Hays Office”, in Tino Balio, Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939 , Scribner’s, New York, 1993; Ruth Vasey, The World According to Hollywood, 1918–1939 , University of Exeter Press, Exeter, 1997 Forbidden Hollywood was the title given to a series of Laserdisks featuring early 1930s Warner Bros. movies released by paper buy online, the Turner corporation in the late 1990s; Doherty, p. 2. Robert McElvane, The Great Depression: America, 1929-1941 , Times Books, New York, 1984, pp. 208, 213 F. Scott Fitzgerald, The Last Tycoon (Harmondsworth, 1960), pp.51-2 In addition to the works cited in the text, readers wishing to explore the history of the Production Code and the debates over that history might consult: Francis G. Couvares, ed., Movie Censorship and American Culture , Smithsonian Institution Press, Washington, DC, 1996Matthew Bernstein, ed., Controlling Hollywood: Censorship and Regulation in the Studio Era , Rutgers University Press, New Brunswick, NJ, 1999. David M. Lugowski, “Queering the yourself powerpoint (New) Deal: Lesbian and Gay Representation and the Depression-Era Cultural Politics of Hollywood’s Production Code”, Cinema Journal 38, 2, Winter 1999, pp. 3–35. Mark A. Viera, Sin in Soft Focus: Pre-Code Hollywood , Abrams, New York, 1999. Don Crafton, The Talkies: American Cinema’s Transition to Sound, 1926-1931 , Scribner’s, New York, 1997.
Gregory D. Black, Hollywood Censored: Morality Codes, Catholics, and the Movies , Cambridge University Press, Cambridge, 1994. Leonard J. Research Paper Buy Online. Leff and Jerold Simmons, The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s , Grove Weidenfeld, New York, 1990. Special Issue of Quarterly Review of Film and Video 15,4, 1995, edited by Lea Jacobs and Richard Maltby, on “Rethinking the study … Production Code” Thomas Cripps, Hollywood’s High Noon: Moviemaking and Society before Television , Johns Hopkins University Press, Baltimore, MD, 1997. Jonathan Munby, Public Enemies, Public Heroes: Screening the Gangster from Little Caesar to Touch of Evil , University of Chicago Press, Chicago, 1999. Lea Jacobs, “Industry Self-Regulation and the Problem of Textual Determination”, The Velvet Light Trap 23, Spring 1989, pp. 4-15. Garth S. Jowett, “Moral Responsibility and Commercial Entertainment: Social Control in the United States Film Industry”, Historical Journal of Film, Radio and Television , 10; 1, 1990. Thomas Doherty, “This Is Where We Came In: The Audible Screen and the Voluble Audience of Early Sound Cinema,” in American Movie Audiences From the Turn of the Century to the Early Sound Era , eds Melvyn Stokes and Richard Maltby, British Film Institute, London, 1999, pp. 143-63. Peter Baxter, Just Watch!: Sternberg, Paramount and paper buy online America , British Film Institute, London, 1993.
Lea Jacobs, “The Censorship of Blonde Venus : Textual Analysis and Historical Method”, Cinema Journal , 27; 3, Spring 1988. Richard Maltby, “ Baby Face or How Joe Breen Made Barbara Stanwyck Atone for Causing the writing a scholarship powerpoint Wall Street Crash”, Screen 27; 2, March-April 1986, pp. 22-45. Ramona Curry, “Mae West as Censored Commodity: the Case of Klondike Annie ”, Cinema Journal 31; 1, Fall 1991. Richard Maltby, “The Spectacle of Criminality”, in Violence and American Cinema , ed. Research. J. David Slocum, Routledge, London, 2000, pp. 117-152. Peter Stanfield, “An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and writing a scholarship essay about powerpoint St. Louis Blues , 1929–1937”, Cinema Journal 41, 2, Winter 2002, pp. 84-108. Richard Maltby is Professor of Screen Studies and Head of the School of Humanities at buy online, Flinders University.
A second edition of his book Hollywood Cinema (Blackwell) was published earlier this year. Co-editor with Melvyn Stokes of a series of books on Hollywood's audiences for the BFI, he is currently completing Reforming the How to write case … Movies: A Political History of the American Cinema, 1908-1940 with Ruth Vasey. Burning Down the House: Bowling for Columbine. Founded in research 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for cheap write my essay vs external change, professional, high quality film-related content on the Internet. © Senses of Cinema 2017. Editors: Michelle Carey, Daniel Fairfax, Mark Freeman, Alexandra Heller-Nicholas. Editorial Assistant : David Heslin. Click here to make a donation.
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Write a resume that will land you a programming job. Justin James lays out what he sees on a developer's resume that makes him say wow!. and what makes him say ugh! I usually read 5 - 20 resumes each week. Buy Online! Both my boss and I are extremely busy, so it's important that a programmer's resume grab our attention quickly by providing the right mix of necessary information with something that makes that person stand out essay powerpoint from the pack. I've been involved with our hiring process for more than six months, so I feel fairly confident that I can distill what it takes for a programming resume to research buy online get me to say, Let's arrange an interview. Here are my tips for writing and organizing a pitch perfect programming resume.
Keep in mind: I am not every hiring manager; also, all resumes go through our recruiters and study HR department first. Moreover, regular readers know that some of my ideas fall a touch outside the norm when it comes to what makes a good developer. Reading the research paper buy online kinder, in-depth details of write change agent, how you used mainstream skill XYZ to accomplish typical task ABC is research paper buy online kinder not at the top of my agenda. I want to see your skills up front, so I don't need to go trolling through your resume to see if you meet my minimum needs. Skip the summary and maybe even the How to write a nursing study …, objective. Those summaries are a waste of my time. It is going to research paper buy online kinder say something like seasoned IT pro with great communication skills or proven veteran with 10 years of programming experience. How do I know this? Because they all say this. Skip it, please.
The objective is a slightly different story; it is useful only if it informs the writing a scholarship essay powerpoint, interviewer about something that the research, skills and experience does not. The objective's relevance to me is largely a function of whether you wish to keep doing what you have been doing. If I see you have been programming — particularly at the data access layer and the business object layer — and essay there is no objective, I am going to paper buy online assume that you are looking for case study … more of the paper, same with a different employer or location. If you want to do more of that work and money well spent 3 receive put an objective, you are wasting space. If you are looking for research paper buy online kinder a change of pace — like getting more into the presentation layer or heading towards a management track — it's important to state that in your resume. Cheap Write My Essay! Otherwise, we may discover during the interview that you are not interested in what we have to paper kinder offer. Some IT hiring managers put a huge emphasis on certain educations but I do not. I always want you to list your school and cheap write agent your major, but I will only research paper kinder, ask you about cheap write my essay essay english 2, your education if there is something unusual or intriguing.
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The hardware interface was handled in a COM library that was written by another team. Application was robust and essay dom quartier reliable. Wrote Web-based tool to track system faults. Created Web service to allow partners to consume portions of the database. East Coast Power - Programmer 1999 - 2005. Wrote VB applications to kinder control nuclear reactor. Real-time control and monitoring of systems handling 10,000 unique data inputs per second. Wrote advanced algorithms in How to a nursing case study … C# to detect imminent system failure, which were used within a Web-based application.
Created Web service in C# to allow partners to access data in a secure, reliable, and research paper kinder responsive manner; typical data set was 1,000,000 rows and concurrency challenges needed to be overcome at the database and writing essay powerpoint application layers. See the difference? Control machinery does not help me much — you could have been working on the elevator system for all I know. Programming a nuclear reactor impresses me, especially since there has not been any nuclear reactor disasters during your employment. Writing advanced algorithms in C# touches my engineer's heart; whereas writing a mere Web-based tool is ho hum. And, while writing a Web service is fairly simple, particularly in ASP.Net, it's not so easy to paper buy online write one that is secure, reliable, and responsive with that size of a data set.
It's also not easy to deal with concurrency issues at two different levels. I am not saying that it needs to be wordy or full of minute details, but if you are doing work beyond what a summer intern could do, I need to know about it. Every developer has written a Web-based, data driven application. Show me more. Make sure that your experience highlights your skills. I don't expect your employment history to include a list of all your skills. But if you are looking for work as a .Net developer, show me that you have done some .Net work. A Scholarship Yourself Powerpoint! If you do not list that experience, I am going to research paper kinder assume that you have little or no experience with it — even if it is on your skill list. Empowerment! If you have large amounts of experience outside of the workforce, find a way to show that on your resume.
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If you cannot put three pages of cheap write, text in front of me in a readable form, do I really want you touching the UI or writing code that someone else might have to maintain? I recommend that you stick to a larger font size (e.g., 10 - 12 pt.) in a font that reads well onscreen and in kinder print (e.g., Verdana, Arial, Tahoma, Calibri, Helvetica). A Scholarship Essay! If you want a slightly fancier font, use it only for paper kinder section headers. Also, do not mix Serif and Sans Serif fonts — that is just ugly. Do not use Comic Sans anywhere, especially in hot pink or baby blue (and yes, unfortunately, this needs to write case study be stated). Keep your margins and research buy online kinder space between paragraphs large enough to provide the reader some breathing room. I give applicants some slack on money your employment history. For instance, five year stints are fairly rare in IT, and research paper I give anyone a lot of leeway if their history includes anything that occurred during the lean and jit essay, dot com boom/bust.
If you are (or were) a contractor or consultant, make sure that is clearly stated; otherwise, I will think that you get fired and/or quit every 3 - 12 months. If you were not a contractor or a consultant, and it looks like you have a hard time staying at a job, I am going to be very cautious. If I see an increasing progression of job titles, mercenary pops into paper kinder, my head. Also, if I see that they are lateral (or worse, negative) moves, bad apple is my first thought. Of course, sometimes you get hit with a string of employers that go under or get acquired — it happens to the best of us. If that is the case, find a way to convey that information so I don't think you are unemployable. It is critical that the cheap write my essay essay english, spelling and grammar in your resume is flawless. I have seen applicants misspell the buy online, name of their state and my essay english the name of their school. If grammar and spelling are not your forte, ask someone to look over your resume for research kinder you. While I understand that many IT pros are not native English language speakers (or are English language speakers who paid little attention to those subjects in school), you should still ask someone for help. In fact, knowing when to ask for help is thinking essay a hallmark of the best developers.
If I interview you and realize from your speech that you had the sense and humility to ask someone for help on your resume, I am going to be truly impressed. (For examples of what not to do, check out this list of real-life resume blunders.) Stay out of EEO (Equal Employment Opportunity) territory. In the United States, companies with more than 10 employees need to follow EEO rules. These rules state that an employer cannot discriminate against or show preference for buy online an employee based on certain group membership items or personal lifestyle issues, such as gender, age, ethnicity, nation of cheap write internal vs external agent, origin, religion, sexual orientation, and so on. So, do me a favor and try to research buy online not expose any EEO-related information to me on the resume. In a face-to-face interview or even a phone interview, some of it will be unavoidable. Cheap Write My Essay Essay English 2! But I will never solicit that information. Not only do I want to research paper keep my employer and myself out of trouble, but I personally feel that EEO is cheap my essay essay english important. Paper Kinder! I can understand that many names (or even college attended) are strongly correlated with ethnicity, religion, or nation (or at least general geographic region) of lean thinking, origin, and college graduation or attendance dates give some age clues. Minimize this as much as possible. Research Paper Buy Online! Please do not tell me about your church, your family situation, your home life, your parents, and so on.
It is How to write a nursing study not that I am not interested — I would probably love to learn these things about you if we hire you — but I do not need or want to research buy online kinder know them before that you come on cheap internal change board. Outside interests, hobbies, achievements, and activities. I like to buy online see these, but only if they are relevant. I really do not need to write internal vs external change know about how big of a fan you are of the New York Knicks; but if you wrote a piece of software that can do something nifty with the team's statistics for fun, I would love to know about it. Research Paper! People who contribute to open source projects get a huge gold star in write my essay essay 2 my book, but only if I feel like they would be comfortable working on proprietary software with proprietary tools, and not bringing anything GPL'ed into paper, my codebase. That is a small caveat there. Contributed to project XYZ in a scholarship about the areas of research paper kinder, ABC and DEF is enough to whet my appetite. Show me some outside learning too — don't let me think that you get home at 6;00 and shut off your brain. If this work is not interesting enough for you to read about or experiment with on your own time, why would I think that you will be engaged or even interested in the job we would hire you for? Please give me something meaty that we can discuss during the interview. So, where it is relevant, try to show me how much of lean and jit, a nerd you are.
For instance, try to paper mention the cheap write essay english 2, hovercraft you made from an inner tube and a lawn mower engine. Make note of the iterative, evolutionary game theory system you coded in Lisp that proves that Nash's equilibrium is paper dead wrong. Tell me something about your three chess championship victories. I do not want to know that you memorized UHF or that you have a pocket protectors collection that have logos of essay, now defunct minicomputer vendors. I know most of this falls under the previous section, but it is relevant. I love to work with programmers who love technology and logic and using their brains. People like that are simply better programmers.
Why would I want to hire someone who is intellectually lazy for an intellectually challenging job? Obscure or nonmainstream technologies. I am not hiring Lisp, Prolog, Erlang, APL, Scheme, Clipper, PowerBuilder, Delphi, Pascal, Perl, Ruby, Python (forgive me for including those four in kinder this list), Fortran, Ada, Algol, PL/1, OCaml, F#, Spec#, Smalltalk, Logo, StarLogo, Haskell, ML, D, Cobra, B, or even COBOL (which is my essay internal agent fairly mainstream) developers. If you show these on your resume, I will want to paper buy online kinder interview you just for money well the sake of slipping in a few questions about these items. I am serious. As part of research buy online, my secret geekiness, I am really into lean thinking, obscure and almost obscure languages and technologies. I know that a lot of those items take better-than-industry-average intellect and experience to paper kinder do; they also provide a set of How to write study, experiences that gives their practitioners a great angle on problems. While you will never directly use those skills in my shop, you will be using those ways of thinking, and paper kinder it will give us something to dom quartier talk about on your first day. ( Aside: A coworker was shocked to learn that I played Half Life. He said, You are such a ‘business person' — I never thought you played video games.
I guess I'm camouflaging my secret geekiness too well!) I've given away crown jewels here. In my perspective, these tips will help any programmer write a perfect resume and get them an interview. What do you think gets applicants an research, interview? If you read resumes as either a hiring manager, a recruiter, or an lean thinking essay, HR employee, what makes you say wow! or ugh! when you see it on paper? Justin James is the research paper buy online, Lead Architect for Conigent. Justin James is the Lead Architect for Conigent.
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